Juan-Pedro Fabra Guemberena
born in Montevideo 1971
works in Stockholm, Berlin and Montevideo
1997-2002, MFA Royal College University of Fine Arts, Stockholm

exhibitions (selected)

2019 The Future Stands Still but We Move in Infinite Space, curated by Randi Grov Berger, OSL, Oslo 2018 Sopa de Letras (Gray Code), Galleri 54, Gothenburg
2017
BARNEN FRÅN HJÄLLBO (BARNEN FRÅN MOHEDA), Hjällbo Centrum,curated by Anna van der Vliet, Gothenburg
Temblor, Bienal de Artes Mediales, curated by Martin Craciun, Museo Nacional de Bellas Artes, Santiago HappyPeople,curated by ArnarÁsgeirsson, TheLivingArtMusem,Reykjavik
University of Disaster, curated by Christopher Yggdre, Fredrik Svensk, Sinziana Ravini, Anna van der Vliet in collaboration with Hans-Ulrich Obrist,Bosnia Herzegovina Pavillion, Biennale di Venezia, Venice
CO-MEMORATIONS of 2018: A Project for a Public Monument to 1918, Helsinkki
2016
Interludes, Belenius/Nordenhake, Stockholm
Personligt, Gotlands Konstmuseum, Visby
2015
Nanas, Konstnärshuset, curated by Celia Prado, Stockholm
Gimme Shelter – forts and fctions in the lowlands, curated by Lucette ter Borg and Sacha Bronwasser, Amsterdam
The School of Displaced Persons, 2nd Kyiv Biennal , Kiev 2014 NOVIEMBRE, Kinderhook & Caracas, Berlin
UNVERGESSEN, Graf Spee återblick, (in collaboration with Jan Håfström, Carl Michael von Hausswolff), Wanås Gimme Shelter, Tromsö Konstförening, curated by Leif Magne Tangen, Tromsö 2013 The Phylogenesis of Generosity (Prizessinnengarten Outdoor Sculpture Triennial), Berlin Flag New York City, Performa 13, curated by Randi Grov Berger, New York
Draft Urbanism, Biennal of The Americas, curated by Carson Chan, Denver 2012 Nessun dorma, Lautom Contemporary, Oslo
The Image is No More (Good Tv), Sinne Gallery, Helsinki 2011 YANKEE GO HOME but please take me with you, Nordin Gallery, Stockholm Screaming from the Mountain, curated by Pontus Kyander, Kristianstad 2010 The South Will Rise Again, Röda Sten, curated by Edi Muka, Göteborg
Street View, Avenyn MAP (Good TV), curated by Magdalena Malm, Göteborg The Image is No More, (Good Tv), Wu Dao Ying, curated by Per Huttner, Bejing 2009 Small parts of the world, Centrum För Fotografi, curated by Liv Stoltz and Aura Seikkula, Stockholm
Favoured Nations, Momentum Biennial, Graf Spee II, (in collaboration with Jan Håfström and Carl Michael von Hausswolff), Momentum Biennial, curated by Stina Högkvist and Lina Dzuverovic, Moss
Black Madonna, Lautom Contemporary, Oslo 2008 Defense, Mobile Art Production, curated by Magdalena Malm, Stockholm Juba, Brändström & Stene, Stockholm
Gilberto's Place, Vita Kuben, Umeå 2007 National pride-the second layer, Arti et Amicitiae, curated by Sasa Karalic, Amsterdam
LAB.07.Arte, Deshonra y Violencia, CCE, curated by Luis Camnitzer and Patricia Bentancur, Montevideo 2006 Patriotism now, Wyspa Institute, curated by Monika Weychert Waluszko, Gdanzk
Moderna Exhibition, Modern Museum of Art, curated by Magdalena Malm, John Peter Nilsson and Pia Kristoffersson, Stockholm 2005 Think Pink, Exit, curated by Edi Muka, Prishtina
Prague Biennalen 2, curated by Power Ekroth, Helena Kontova and Giancarlo Politi, PragueScandinavian Photography, Faulconer Gallery, Grinnel College, curated by Daniel Strong, Iowa (my private) Heroes, Marta Herford Museum, curated by Jan Hoet, Herford 2004 Sometime, Anthony Reynolds Gallery, London
Movimenti, Palazzo Lanfranchi a Matera, curated by Francesco Bonami, Matera
Swedish Hearts, Modern Museum of Art, curated by Rodrigo Maella Lira, Magdalena Malm and Charlote Bryder, Stockholm At the Still Point of the Turning World, FACT, curated by Claire Doherty, Liverpool 2003 Delays and Revolutions, Biennale di Venezia, curated by Daniel Birnbaum and Francesco Bonami, Venice Wish you were here..., Brändström & Stene, Stockholm 2002 Konstnärer, knarkare och äventyrare, Kulturhuset, curated by Stina Högkvist and Marianne Zamecznik, Stockholm

presentations/collaborations/teaching (selected)

2017 Migrations, Teatro Municipal Sao Luiz, Lisboa
HOW DOES THE WORLD BREATHE NOW? , Film series at Savvy Contemporary, Berlin 2016
Glänta Magazine 3-4.16 Artists Exercises by Jennie Guy and Stine Marie Jacobsen
Lecture, Nya Småland, Emigrants, Immigrants, Settlers, Kulturparken Småland
Lecture/Artist presentation CRITICAL MOVES: LATIN AMERICAN VISUAL NARRATIVES, Berlin
Workshop , Ars Nova, Jakobstad,
2015
Lecture/Artist presentation La Escuela del Sur ,Studio Voltaire, London
2010
Workshop The Stockholm Syndrome ,Good Tv, KKH Stockholm
2009-2011
Tutor of Master students in Fine Arts, Konstfack University College of Arts Crafts and Design, Stockholm
2008
Video Workshop in Addis Abeba College of Arts (in collaboration with Annika Larsson,Tobias Bernstrup,
Sara Lunden, Michele Masucci, Loulou Cherinet), Addis Ababa
Tutor of Master students in fne arts, Royal Academy of Arts, Stockholm
Tutor of Master students in Fine Arts, Konstfack, University College of Arts Crafts and Design, Stockholm
2007
On the edge of the abyss, one step forward! A conversation between Carlos Motta and Juan Pedro Fabra, wip:konsthall, Stockholm, Course/Teacher "Stealth Speed and Pattern", “Razzle Dazzle“ Interdisciplinary Studies prof Ronald Jones,
Konstfack University College of Arts Crafts and Design, Stockholm, Sweden Stockholm
2005
Good TV art gallery initiated with Loulou Cherinet, Michele Masucci broadcasted in the Public Access Television Network in Stockholm 2004
Artist presentation, FACT, Liverpool
2002
Performances with Systeme (Sara Lunden, Jakob Senneby, Allen Grubesic)Moderna Dansteatern, Stockholm:
After shopping, Kulturhuset, Stockholm : Stockholm Art Fair, Stockholm : Gallery M3, Berlin

represented Governments Offce, Swedish Art Council, Sweden Sammlung Goetz, München, Germany
Modern Museum of Art, Stockholm, Sweden
Borås Art Museum, Sweden Malmö Art Museum, Sweden
Bibliotheca Alexandrina, Egypt
The Wanås Foundation, Knislingen, Sweden Private Collections

grants 2016 Five Year working grant, Swedish Arts Grants Committee 2011 Two Year working grant, Swedish Arts Grants Committee 2006 Two Year working grant, Swedish Arts Grants Committee 2005 Research and Development in the Arts Grant,(Good Tv), Royal College of Art Sweden 2004 One Year working grant, Swedish Arts Grants Committee

bibliography (selected) Art Forum, critic's picks, September 2011, Jacquelyn Davis Art Forum, exhibition review, November 2010, Ronald Jones Aftonbladet, 19 Jun 2010, Frans Josef Petersson
Göteborgs Posten, 21 Jun 2010, Mikael Olofsson Interface, exhibition review, Jun 2010 Graham Lister
Spike Art Quarterly, exhibition review nr.15 Mar 2008, Lars-Erik Hjertström Lappalainen Dagens Nyheter, 21 Jan 2008, Håkan Nilsson
Expressen, 11 Jan 2008, Peter Cornell
Konsten.net, Jan 2008, Anders Olofsson
Dagens Nyheter, Good Tv,15 Nov 2006, Georg Cederskog
Konsten.net, Oct 2008, Michelle Roy
Konst som rörlig bild, S.A.K årsbok, 2006
Litkes, Bekänn färg, Nr 2 , 2006, Anna Åhdal
Expressen, Tv Vision, 3 Nov 2005, Peter Cornell
Adbusters, Sep/Oct #61, 2005
Paletten, nr 2-3 2005, Maja Hammarén
Dagens Nyheter, 11 August 2005, Håkan Nilsson
Artforum,exhibition review,March 2005, Liutauras Psibilskis
Art Forum, Artist artists, December 2004, Isaac Julien
Svensk Konst Nu, 85 Svenska Konstnärer, 2004, Sophie Allgårdh & Estelle af Malmborg Bon, nr 17, 2004, Natalia Kazmierska
Svenska Dagbladet, 18 Sept 2004, Sophie Allgårdh
Flash Art, Upcoming Artists, August 2004
Dagens Nyheter, 27 Aug 2004, Bo Madestrand
Dagens Nyheter, 11 June 2004, Bo Madestrand
Liverpool Daily Post, 24 March 2004, Diane Massey
The Guardian, 26 March 2004, Alfred Hickling
Art Monthly, May issue 276, 2004, Robin Brown
Art Monthly, July issue 268, 2003, David Barret
Frieze, issue 77, 2003, James Rondeau
Aftonbladet, 3 February 2003. John Peter Nilsson
Dagens Nyheter, 1 February 2003, Lars O Ericsson

inserts Camoufage, Tim Newark, Imperial War Museum 2007 Site, #12 2004
U-N-I-O-N, #1 2004
Visslingar & Rop #3 1997

Good tv activities 2004 – 2012 Good TV was initiated by Juan Pedro Fabra Guemberena, Loulou Cherinet and Michele Masucci and started as a very simple idea; we wanted to show art on television and by doing so, defy the prevailing homogenous supremacy of commercial and state owned television networks. Our initial plan was to offer an open space on television more or less operating as a gallery to contributors from around the world.
Good TV received fnancial support from KU(Royal Collage of Art) in 2004, since then our vision and possibilities as well as the interest from artists, media and our audience has grown enormously.

Today Good TV is a registered non-proft organisation and member of the public access television network in Stockholm, Öppna Kanalen. We broadcasted regularly every Thursday and Sunday 22.00-22.30 between 2004 and 2007.

Good TV broadcasted work by: Alexander Vaindorf, Annette Krauss, Carl Michael Lundberg, Cecilia Parsberg, Cesar Tafoya, Charlotte Åberg, Davide Grassi, Denis Romanovski, Hala el Koussy, Hito Steyerl, International Festival Television Network, Jesper Nordahl, Johan Böhm, Johan Holtzberg/Fredrik Wiklund, Kajsa Dahlberg, Karl Holmqvist, Katya Sander, Lara Baladi, Latifa Echakhch, League of Noble Peers, Magnus Bärtås, Matti Kallionen, Marcelo Esposito, Markus Mårtensson, Michele Masucci, Unstable Society of Mobile Production, Oliver Ressler, Pablo Casacuberta, Petra Bauer, Tobias Bernstrup, Saralunden, Valeria Montti- Colque

Good TV produced new work in cooperation with: Benoit Maire - ...in the twilight of the copyists, Cecilia Parsberg – Good TV, Christoffer Paues – Jag rider på höga hästar. Jag skrattar mig blind., Saralunden – The view, Moataz Nasr/Sheik Salah – Sheik Salah, SQUID – SQUID Lounge, “Theme”, Tobias Bernstrup / Saralunden – A night to remember

Good TV hosted exhibitions especially curated for Good TV:
Karolina Pahlén – Berättelser om Danielle Tjajkovskij, Source Video Magazine of Contemporary Art – Source Special, Veronica Wiman – Speech Box

Good TV participation in exhibitions:
The Image is No More, Sinne Gallery, curated by Magdalena Malm, Helsinkki
Street View, Avenyn MAP (Good TV), curated by Magdalena Malm, Göteborg Sweden
The Image is No More, Wu Dao Ying, curated by Per Huttner, Bejing, China
Participation: Nuisance or necessity?, IASPIS Galleriet, Stockholm, curated by Nataša Petrešin,
Konstnärshuset – Supermarket – independent art fair in Stockholm organized by SKF Umbrella